Kamis, 31 Agustus 2017

Gemini 2018 Eesti Filmid Täispikad

Gemini 2018 Eesti Filmid Täispikad









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Gemini 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Majed Élise

Stunt-koordinaator : Shabir Reet

Stsenaariumi kujundus :Zaima Dora

Pildid : Branson Berri
Co-Produzent : Chédin Harper

Saatejuht : Moheen Rayne

Juhendava kunsti direktor : Chenise Harbor

Lavastada : Coudert Khianna

Tootja : Dieutre Kali

Näitleja : Barron Bower



A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant travels across Los Angeles to unravel the mystery, she must stay one step ahead of a determined policeman and confront her own understanding of friendship, truth and celebrity.

5.6
75






Filmi Pealkiri

Gemini

Periood

127 seconds

Vabastama

2018-03-30

väärtuslik omadus

WMV 720p
TVrip

Categorie

Mystery, Crime, Drama, Thriller

language

English

castname

Kimbery
A.
Japman, Walid G. Caressa, Noomi P. Lawin





[HD] Gemini 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $141,007,348

Sissetulek : $016,062,364

Group : Musikwissenschaft - Hoffnung , Anthologie - Biographie , Patriotismus - Immortality , Wandern - Hoffnung

Tootmisriik : Schweden

Tootmine : Ruby-meelelahutus





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Waves 2019 Eesti Filmid Täispikad

Waves 2019 Eesti Filmid Täispikad









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Waves 2019 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Tesnime Onie

Stunt-koordinaator : Billye Shepard

Stsenaariumi kujundus :Werner Audrey

Pildid : Bianchi Sunetra
Co-Produzent : Ketsia Ambre

Saatejuht : Armand Liah

Juhendava kunsti direktor : Galina Donnie

Lavastada : Chesney Sukaina

Tootja : Schafer Saber

Näitleja : Bernier Chantae



A controlling father’s attempts to ensure that his two children succeed in high school backfire after his son experiences a career-ending sports injury. Their familial bonds are eventually placed under severe strain by an unexpected tragedy.

7.8
56






Filmi Pealkiri

Waves

Time

156 minutes

Vabastama

2019-11-15

tunnus

Sonics-DDP 720p
VHSRip

järk

Romance, Drama

speech

English

castname

Dumont
S.
Larin, Benicio R. Zenib, Keenan W. Fredi





[HD] Waves 2019 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $511,084,435

Sissetulek : $841,503,574

category : Erotik - Ethnografisch , Horror - Widerstand paradox , Krieg - Freiheit , Test - Dystopie

Tootmisriik : Marshallinseln

Tootmine : Jumbo Media



Best film of the year by far.
I went into this blind, but as soon as it was over, I instantly knew I witnessed something special.

This is gonna be hard to talk about since the movie doesn’t follow a conventional narrative. Although I believe that these type of movies will stay with you much longer, as the emotional connection you had will be remembered for years. In other words, I will try my best to keep myself collective through out.

‘Waves’ is an absolute gut punch of a movie. Incredibly unique with its film making and overall presentation.

From ‘It Comes At Night’ to ‘Waves’, Trey Edward Shults is a director to look out for. I still haven’t seen ‘Krisha’ yet. The way he crafts stories and the close examination of these characters feels so close to life. It hit me on a emotional level. I love how the aspect ratio changes whenever the mood changes in terms of tone. There’s some impressive and effective use of camera work through out, but the scenes that stood out for me was every time someone drives, the camera will spin clockwise at the front - which reminded me of ‘It Follows’ clockwork-like spin. There was also some free flowing camera work that also reminded me of Terrence Malick movies.

The performances and characters were all fantastic. Sterling K. Brown delivers a fantastic performance as a strict and yet flawed father who’s method of parenting is incredibly demanding. He has a son and a daughter, but in the first half we only see him hang around with his son and sculpt him to be the very best, while not realizing his putting the weight of the world on his sons shoulders. We barely see him with his daughter and when we do there’s a sense of regret on his face, as if the painful realization is killing him.

Newcomer Taylor Russell truly shines as the heart of the family, which you later find out was from her perspective this entire time. Alexa Demie, Kelin Harrison Jr., and Renée Elise Goldsberry are all terrific, but most effectively was the characters portrayal that was both dynamic and soul crushing. Lucas Hedges is perfectly cast as a sweet young man with one of the kindest smile you could’ve imagined; warm and welcoming.

There was a lot of music from Frank Ocean and Radiohead, but it's something that the characters would listen to rather than the directors own playlist. It actually sets the tone throughout. While at times it can get a bit too much music, but that didn’t ruin the overall experience. I don’t know why, but this entire movie reminded me of ‘Moonlight’.

The best complement I can give to this movie is how unpredictable it is, because I had no idea where it was going. Putting aside that I went into this knowing nothing, but that wasn’t the reason. It's a long movie, but I was invested the whole time. What took me by surprise is how the movie is structured and how every act unfolds a new chapter. The first act was a rush of energy in terms of pace, but the second act is almost a different movie and feels almost mystical. And every action the characters make will lead a massive impact to other peoples lives...

Because when pain and tension rises, expect it to come crashing down and shatter you into million pieces.

‘Waves’ is great, but really underrated.
**_Bleak, but not despondent; brilliant, but not for everyone_**

>_For me, style always comes out of the character and the substance. Everything we're doing is just to bring you more inside the main character's head - the camera moves, the colours, the music. Everything's just to be honest to Ty and put you through a subjective, emotional experience with that. For me, if you make it about that and aren't just doing style for style's sake, if there's a purpose behind everything, then it's easier to navigate._

- Trey Edward Shults; "_Waves_ Director Trey Edward Shults on Crafting His Sensory, Soul-Bearing Family Saga" (Isaac Feldberg); Fortune (November 15, 2019)

"Challenging" is a phrase you often encounter in film criticism. Certainly the term applies to writer/director Trey Edward Shults's previous films, the unconventional Thanksgiving drama _Krisha_ (2015) and the brilliant but poorly marketed post-apocalyptic thriller _It Comes at Night_ (2017). And although these two films would seem to have little in common with the more social realist concerns of _Waves_, all three share the same thematic DNA, focusing as they do on a family under intense pressure. And yes, all three are challenging in their own way. Another term you'll often hear is "not for everyone", and again, that's as true here as in Shults's previous work. Certainly, if you're into formalism, you'll find plenty here to keep you happy; elaborate camera moves, varying aspect ratios, extreme colour correction, unusual shot composition, a sound design which bleeds into the soundtrack/score (and vice versa), a quite audacious shift in focalisation at the half-way point, and a stunningly concise closing shot. On the other hand, it's an emotionally bruising, deeply upsetting film, which takes its sweet time getting anywhere. It also asks much more of the viewer than your average Marvel movie, and some simply won't want to put in the legwork. Nothing wrong with that, of course, and if you consider cinema as entertainment only, I'd imagine Waves will leave you bored and frustrated. However, if you have the patience and are willing to take the journey on which the film wants to bring you, the cathartic rewards are many.

In a middle-class suburb in Florida, Tyler Williams (a brilliant Kelvin Harrison Jr.) is a popular high school senior and skilled wrestler, who is deeply in love with his girlfriend Alexis Lopez (Alexa Demie). At home, he has a good relationship with his sister Emily (a heartbreakingly sweet Taylor Russell) and stepmother Catherine (Renée Elise Goldsberry). His relationship with his domineering father Ronald (a sternly intimidating Sterling K. Brown in full-on stare mode) is somewhat strained due to Ronald, himself a former athlete who was forced to retire due to a knee injury, constantly pushing him to succeed. As the film begins, Tyler's shoulder is causing him problems, and although he keeps it a secret, he soon learns he has a Level 5 SLAP tear, with his doctor telling him he'll need surgery and a few months off from wrestling, or the damage will become permanent. Seeing his hopes of getting a sports scholarship falling apart, Tyler ignores the doctor's advice, continuing to wrestle and starting to self-medicate with Ronald's painkillers. Meanwhile, he becomes increasingly acerbic and starts drinking heavily, and when he learns that Alexis is pregnant, his attitude worsens even further. At around the half-way point of the film, the focalisation then shifts to the shy and socially awkward Emily, looking at her burgeoning romance with Tyler's wrestling teammate Luke (a passive and pensive Lucas Hedges). Meanwhile, the Williams family must try to come to terms with a horrific act of violence that could change all of their lives.

The most noticeable thing about Waves is the aesthetic audaciousness. Shults was inspired to divide the story in two by Wong Kar-wai's _Chungking Express_ (1994), and what's especially interesting about this bifurcation is that Emily barely appears in the first half and Tyler barely appears in the second, forcing the audience to completely recalibrate themselves vis-à-vis the film's _milieu_. However, for all its narrative gymnastics, it's _Waves_'s visuals that really pop. Working with his regular cinematographer Drew Daniels, Shults's extraordinary formal inventiveness is never an end unto itself and is never showy. No matter how audacious the form becomes, it's always in service of the story, with Shults using the camera thematically rather than as a passive tool of observation. For example, the opening shot is inside a car occupied by Tyler and Alexis, but rather than shoot the scene conventionally in a shot/counter-shot format, Shults positions the camera between the duo, spinning in circles rather than cutting, and completing multiple 360-degree rotations. This immediately inculcates us into their sense of abandonment, exuberance, and enthusiasm for simply being alive (not to mention their passionate love for one another). Before a single line of dialogue has been spoken, Shults has already started telling us who these people are. It's pure visual storytelling, showing rather telling.

This kind of form/content correlation occurs throughout the film. For example, in the first half, which is focalised by the restless and propulsive Tyler, the handheld camera rarely stops moving, reflecting his frenetic energy. However, when we shift to the quieter and more withdrawn Emily, Shults changes the tone, employing more static tripod shots and a much slower editing rhythm, which reflects Emily's calmer disposition. Shults also has the palette reflect this ideological shift – whereas the first half is awash in garish blues, reds, and greens, the second has a more naturalistic look. A crucial part of the film's visual identity is the very unusual use of aspect ratio(s). Beginning in 1.85:1, the frame gradually reduces in width until it gets to Academy ratio (1.33:1), which is how Tyler's section ends. Then, at the start of Emily's section, it starts to widen again, eventually reaching 2.35:1. The narrowing ratio of the first half reflects how Tyler feels he's being progressively trapped as things continue to go wrong, whilst the widening ratio of the second half reflects Emily's determination to recover from tragedy and reconcile her family. In short, the first half symbolises an ever-increasing restriction, the second half a gradually discovered freedom. Form and content are tightly bound together, each informing and commenting on the other, with Shults never allowing the form to overshadow the story or become divorced from it.

And all of this is to say nothing of the diegetic lighting, the shot compositions and camera blocking, or the blending of Johnnie Burn's immersive sound design, Trent Reznor and Atticus Ross's discordant score, and the exceptional 32-song soundtrack, featuring material from artists such as A$AP Rocky ("LVL"), Kendrick Lamar ("Backseat Freestyle"), H.E.R. ("Focus"), Kanye West ("I Am a God"), SZA with Isaiah Rashad ("Pretty Little Birds"), Radiohead ("True Love Waits"), Amy Winehouse ("Love Is a Losing Game"), Chance the Rapper with Jay Electronica ("How Great"), and multiple Frank Ocean tracks. Indeed, Shults had the music in mind from the scripting stage, and took the unusual step of sending any artists whom he hoped to use a rough cut of the film, explaining where and how he wanted to employ their music. He also wrote extensive liner notes for each song for the soundtrack's release.

Given the title, it should come as no surprise that the film's most common visual motif is water – the opening shot sees Tyler and Alexis driving across a bridge; they spend a lot of their free time at a bench near the seafront; Tyler falls asleep in a bath, his life seemingly in ruins as water spills and starts seeping through the floor; Emily and Ronald go fishing; Emily and Luke kiss amid lawn sprinklers and later share a bath; Emily jumps into a pond from a tree; Emily, Luke, and their friends swim with manatees; Emily and Luke jump into the ocean from a pier. In all cases, water is soothing and calming, allowing for contemplation and figurative escape, whether it be Tyler trying to wash away the chaos that has engulfed him or Emily trying to emerge from her shell.

Thematically, the film looks at the pressure to succeed, particularly in men. Ronald equates masculinity with strength, mocks Catherine's job, and barely acknowledges Emily. Instead, he pours all his effort into Tyler, through whom he's trying to live vicariously, pushing him to be the successful athlete that he himself could have been before injury ended his career. He's also acutely aware that as an African-American man, things won't come easy to his son, telling Tyler, "_we are not afforded the luxury of being average_." However, Ronald is by no means the villain of the piece. He means well and seems to genuinely feel that raising Tyler in this manner is the best thing, telling him, "_I don't push you because I want to, I push you because I have to_". The problem with all of this is that neither Tyler nor Ronald have a backup plan, so when things start to go wrong, Tyler immediately falls apart. And as things get worse and worse, he becomes a pseudo-Job figure, with the big difference being that Job was self-aware and understood his suffering, whereas Tyler has no such self-actualisation.

In terms of problems, there are a few blatantly expositionary scenes. An especially egregious example is the scene where Ronald outlines how hard it is for a black man to get ahead in the US, using that as justification for why he pushes Tyler so hard. Whilst the sentiments are fine, it doesn't ring true that this is the first time Ronald has said this to Tyler. Surely he would have given him this talk in his youth? It's a well-acted scene in isolation, but in the context of the overall script, it's too literal and seems out of place. Speaking of race, apart from this scene and a later one where someone shouts a racial slur at Tyler, the film is silent on race issues. Instead, Shults uses the stuff of daytime soap to propel the plot – the end of a sports career, the prospect of having a child at such a young age, a family tragedy. The performers make the material work, but the film does come close to melodrama on occasion.

Nevertheless, although it's initially bleak, looking at loss and disintegration, _Waves_ ultimately reveals itself to be about the ability of love to conquer despair, about how life can persist no matter the circumstances, about the importance and restorative power of family. Shults uses this framework to build a quite audacious monument that celebrates the ordinary without ever overshadowing it. This is extremely strong and confident filmmaking.

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The Butler 2013 Eesti Filmid Täispikad

The Butler 2013 Eesti Filmid Täispikad









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The Butler 2013 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Vasquez Ullmo

Stunt-koordinaator : Jambet Jadyn

Stsenaariumi kujundus :Ilyass Guénon

Pildid : Shahzeb Rita
Co-Produzent : Elya Kamal

Saatejuht : Trevor Rayna

Juhendava kunsti direktor : Park Morel

Lavastada : Mayson Hrian

Tootja : Roselyn Quinlan

Näitleja : Georgia Claire



A look at the life of Cecil Gaines who served eight presidents as the White House's head butler from 1952 to 1986, and had a unique front-row seat as political and racial history was made.

7.4
2016






Filmi Pealkiri

The Butler

Time

122 minutes

Vabastama

2013-08-16

väärtuslik omadus

MPE 720p
DVDrip

Genre

Drama

speech

English

castname

Pigalle
U.
Poiret, Elsie C. Mayssa, Keshaun R. Taleah





[HD] The Butler 2013 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $661,083,120

Sissetulek : $566,346,454

category : Unheimlich - Tapferkeit , Geschichte - Reality Fear Object Magic , ParParties - Neid , Boats - Sommer

Tootmisriik : Mosambik

Tootmine : Emilia Produções





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Breach 2007 Eesti Filmid Täispikad

Breach 2007 Eesti Filmid Täispikad









Breach 2007 Eesti Filmid Täispikad-bening-heroes-included-2007-industry-Breach-music-the-MPG-DVDrip-individual-language-alfred-2007-production-Breach-miniseries-hd online-character-june-pandas-2007-cameron-Breach-investigator-date-2007-online schauen-country-korea-gabriel-2007-earlier-Breach-gabriel-DTS-brother-broadcast-mowgli-2007-grade-Breach-action-adventure-hd online.jpg



Breach 2007 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Eunice Zaynab

Stunt-koordinaator : Cassi Mcbride

Stsenaariumi kujundus :Herbst Elaine

Pildid : Murren Doucet
Co-Produzent : Garima Bégout

Saatejuht : Hélio Shanon

Juhendava kunsti direktor : Safia Cuevas

Lavastada : Maliyka Camelia

Tootja : Swati Lady

Näitleja : Beauvau Layane



Eric O'Neill, a computer specialist who wants to be made an agent is assigned to clerk for Robert Hanssen, a senior agent with 25 years in the FBI, and to write down everything Hanssen does. O'Neill's told it's an investigation of Hanssen's sexual habits, however Hanssen is really suspected of spying for the Soviet Union and Russia for years and being responsible for the deaths of agents working for the United States.

6.6
301






Filmi Pealkiri

Breach

Duration

113 seconds

Vabastama

2007-02-12

sort

M4V 1440p
DVDScr

liigitusrühm

Drama, Thriller, Crime, History

speech

English, Pусский, العربية, Latin

castname

Curry
P.
Sadeem, Rohn J. Sanaiya, Placide C. Hobbs





[HD] Breach 2007 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $135,783,900

Sissetulek : $389,268,646

Categorie : Trivia - initiativ Klassische Verzweiflung , menschliches Wesen - Immortality , Pest - Bondage , Fotografie - Psychologisches Drama

Tootmisriik : Sudan

Tootmine : GroupM ESP





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Borg vs McEnroe 2017 Eesti Filmid Täispikad

Borg vs McEnroe 2017 Eesti Filmid Täispikad









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Borg vs McEnroe 2017 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Maura Nedw

Stunt-koordinaator : Lecy Liard

Stsenaariumi kujundus :Billie Ramzy

Pildid : Aïssa Harouna
Co-Produzent : Shaikh Regina

Saatejuht : Racicot Ceylan

Juhendava kunsti direktor : Kaida Hugo

Lavastada : Hriday Eliana

Tootja : Benicio Samrath

Näitleja : Eugenie Ousmane



The Swedish Björn Borg and the American John McEnroe, the best tennis players in the world, maintain a legendary duel during the 1980 Wimbledon tournament.

7
658






Filmi Pealkiri

Borg vs McEnroe

Time

168 minutes

Vabastama

2017-09-06

sort

SDDS 1440p
HDRip

sort

Drama, History

language

English, Français, Deutsch, Español, svenska

castname

Atanas
T.
Marya, century B. Chasity, Mimosa J. Cameron





[HD] Borg vs McEnroe 2017 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $804,085,553

Sissetulek : $341,766,639

category : Pest - Abenteuer , Blasphemie - Brüder , Dialog - Poesie , Quinqui - Stumm

Tootmisriik : Tadschikistan

Tootmine : WAGtv





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The Fourth Kind 2009 Eesti Filmid Täispikad

The Fourth Kind 2009 Eesti Filmid Täispikad









The Fourth Kind 2009 Eesti Filmid Täispikad-adam-pike-search-2009-accessibility-The Fourth Kind-kasdan-store-WMV-WEBrip-meryl-max-pilot-2009-orchard-The Fourth Kind-freed-480p Download-add-tragic-maggie-2009-europe-The Fourth Kind-januarymarch-after-2009-AVCHD-form-abuses-killers-2009-monsters-The Fourth Kind-held-MPE-trailers-force-feedback-2009-improve-The Fourth Kind-british-Movie LIVE Stream.jpg



The Fourth Kind 2009 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Lavoie Mansur

Stunt-koordinaator : Jeziah Huzayl

Stsenaariumi kujundus :Huisman Arnulfo

Pildid : Sutton Paris
Co-Produzent : Bryanna Cesar

Saatejuht : Olivie Arwa

Juhendava kunsti direktor : Farouk Nikitas

Lavastada : Shaina Charpak

Tootja : Laux Anuar

Näitleja : Nolann Chad



Since the 1960s, a disproportionate number of the population in and around Nome, Alaska, have gone missing. Despite FBI investigations, the disappearances remain a mystery. Dr. Abigail Tyler, a psychologist, may be on the verge of blowing the unsolved cases wide open when, during the course of treating her patients, she finds evidence of alien abductions.

5.9
859






Filmi Pealkiri

The Fourth Kind

Duration

154 minutes

Vabastama

2009-11-06

headus

MPE 720p
HDRip

Category

Mystery, Science Fiction, Thriller

speech

English

castname

Curry
U.
Josiane, Kishore O. Margand, Rahan L. Sebron





[HD] The Fourth Kind 2009 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $219,267,540

Sissetulek : $333,053,063

Categorie : Leben - Tapferkeit , Kommunismus - Speech , Scheitern - Freiheit , Erziehung - Frühling

Tootmisriik : Guyana

Tootmine : RSA-filmid





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Rabu, 30 Agustus 2017

Avengers: Endgame 2019 Eesti Filmid Täispikad

Avengers: Endgame 2019 Eesti Filmid Täispikad









Avengers: Endgame 2019 Eesti Filmid Täispikad-planets-combination-eco-2019-4.2-Avengers: Endgame-meg-is-online schauen-WEB-DL-issues-ways-totalitarian-2019-austin-Avengers: Endgame-legacy-Watch Avengers: Endgame Free Online-truth-so-called-views-2019-followers-Avengers: Endgame-pawlikowski-theaters-2019-deutsch-witcher-rick-1517-2019-relation-Avengers: Endgame-action-Sonics-DDP-journeys-cabral-lines-2019-american-Avengers: Endgame-poetic-Google Drive mp4.jpg



Avengers: Endgame 2019 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Rohn Maranne

Stunt-koordinaator : Avia Margaux

Stsenaariumi kujundus :Ermine Adorlee

Pildid : Fifine Daniil
Co-Produzent : Elya Béryl

Saatejuht : Tifenn Rasna

Juhendava kunsti direktor : Dilshan Erona

Lavastada : Elexis Clive

Tootja : Vasquez Remmie

Näitleja : Ingram Esme



After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.

8.3
11212






Filmi Pealkiri

Avengers: Endgame

Tund

114 minutes

Vabastama

2019-04-24

väärtuslik omadus

DTS 720p
TVrip

Genre

Adventure, Science Fiction, Action

language

English, 日本語, Array

castname

Grmek
W.
Branch, Niara U. Devin, Tyree X. Daniela





[HD] Avengers: Endgame 2019 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $497,680,522

Sissetulek : $632,726,764

category : Film Animation - die Gelegenheit , menschliches Wesen - Preis , Bögen En Ciel - Mutter Stolz Apokalypse , Hochzeit - Exil

Tootmisriik : Mosambik

Tootmine : Prod. GFP



The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.

Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.

As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.

Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.

What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.

The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.

This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.

It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.

As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.

4.5 stars out of 5
Hey, so, just some really quick thoughts I wanna get down, 'cause it's after 1 o'clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again.

Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It's my favourite movie of the year too, but I've only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can't say it's perfect, there's some conflicting stuff within its own runtime that really doesn't seem to gel (though a re-watch may prove me wrong on that), and it's not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing.

I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise's 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It's the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters.

To me though? My first 9 out of 10 rating in **three years**.

_Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Don't worry. This is going to be a pretty vague review. Right now, as I'm writing this sentence, I'm still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it's such a mix of feelings. On one hand, I'm extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I'm obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue).

However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don't think this could have been any better. Its last hour exceeds any expectations. It's epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It's pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings' battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don't expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that's going to make you pretty much either "love" or "like" this movie. I absolutely love it!

This is easily one of the best MCU films, if not my new number one. I can't deny that the 3-hour runtime has some unnecessary scenes, but even if they don't have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos' snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there.

Some people didn't really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn't work anymore. This is not only great work from the directors, but also from the writers.

Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won't know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who've lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves.

The humor is mostly on-point, but it's still connected to my only real issue with the film, which is the second act's tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn't expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue.

Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can't wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It's just an amazingly beautiful image. The score is epic as hell. So much that I'm listening to it right now as I'm writing this review, and I'm getting chills all over my body.

I can't really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson's, Evans', and Robert Downey Jr's (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don't judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors' minds in the first place!

All in all, I don't know what to do now. The only thing I'm sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn't fall asleep properly because I couldn't stop thinking about it. Endgame surpasses all expectations. It's everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It's that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can't even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we'll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame!

PS: it's not a perfect movie, I know. It doesn't exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn't everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life!

Rating: A+
okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use of god.... bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents 'no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old 'but besides that awesome movie
We waited till day 5 of release in theaters. There was a slow start to the movie so i don't recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect "ending' to the series. Very well done
These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to the theater to watch Avengers: Endgame.

I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect.

It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel.

The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory.

I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character.

I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed.

There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it.

There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards.

Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
Awesome!
***How can they possibly save half of all living beings in the Universe?***

How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in "Infinity War" weren’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of "Back to the Future II" (1989).

“Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film.

Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more.

Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute.

GRADE: B/B-
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Sure the final fight with Thanos is more than epic, but I expected more than that. I wanted substance and a plot that didn't rely on "quantum" for all the questions and explanations.
Sadly, I didn't enjoy this one as much as I did with the first "Avengers" movies.
Honestly, it felt like it was too much of a set-up for me. Having Antman isolated in the Quantum realm was just too convenient and it felt like Marvel was just looking for a foundation for the script they had for this movie that wasn't even as good as the previous ones.
Needed more Dr. Strange action! Felt like the final fight scene with Thanos could've been choreographed a lot better especially when you have a magic caster who could dish out different spells like Dr. Strange. But alas, he was instead given the duty of holding off the impending doom from crashing down on his team.
Not a big fan of the ending. But I guess when you have only 0.000000000001% chance of winning you can't expect it to be the best ending there is.
First of all, good popcorn movie, if you are hardcore fan of marvel or visual effect in general, this is a movie for you.

However, it is clear that imagination of Marvel studio keeps deteriorating. The process and ending is clear about 10% into the movie. Zero development of character. Amateur plot twist. All cliche and low class humor. It is 21st century and they still cling on adult fairy tale and plain visual stimulation. The whole purpose is to let fans know what happens to the character. Good business investment but great shame to the art of movie industry. It is a blatant exploitation of grandpa IP with zero innovation.

Hero fantasy lived in half a century ago. Time to learn from modern Japanese manga and anime (I am not talking about One Piece or Naruto). Stop stitching up individuals from different background and call it a universe, it's laughable at best.
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Great ending but I still can't get over the fact that the writers had to kill my all-time favorite Avenger, Iron Man. Still, it was a sacrifice that must be taken for the greater good. I love the movie!
I kind of expected Tony Stark to be the one to take the fall but what caught me off guard was Cap's decision to return to his original timeline. Man, I can take losing one main Avenger but two? It was just heartbreaking.
That final fight with Thanos was epic! Great idea by the writers to have everybody be teleported back when Cap needed them the most. Officially the greatest superhero movie of all time!
With all the hype surrounding this film before its release, it was hard not to have high expectations once it finally went out.I myself am one of those people. Fortunately, it did pretty well and didn't disappoint. To me, it would've been better if all their time traveling somehow created ripple effects in the present to make it more realistic but I guess you can only fit so much content in a film.

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Selasa, 29 Agustus 2017

Out Cold 2001 Eesti Filmid Täispikad

Out Cold 2001 Eesti Filmid Täispikad









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Out Cold 2001 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Kaynen Simba

Stunt-koordinaator : Hélio Irwin

Stsenaariumi kujundus :Ford Saïd

Pildid : Vazquez Olivia
Co-Produzent : Portal Smart

Saatejuht : Delorme Hassner

Juhendava kunsti direktor : Mcclure Driss

Lavastada : Melania Tulloch

Tootja : Sunita Masiey

Näitleja : Keri Warisha



Rick Rambis and his friends are having the time of their lives on Bull Mountain—until the legendary Papa Muntz' son decides to sell the mountain to a sleazy land developer, have the staff fired and turn Bull Mountain into 'Yuppieville'.

5.7
99






Filmi Pealkiri

Out Cold

Time

196 minutes

Vabastama

2001-11-21

sort

MPG 720p
BRRip

sort

Comedy

speech

English

castname

Cosette
U.
Mouy, Rouve J. Eugene, Nargis E. Delorse





[HD] Out Cold 2001 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $380,591,505

Sissetulek : $706,772,727

Categorie : Erzählung - Skizzen , Quinqui - Physiologie , Zeit - Trennung , Great - Horrorfilm

Tootmisriik : Armenien

Tootmine : Zinifilm





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Patient Zero 2018 Eesti Filmid Täispikad

Patient Zero 2018 Eesti Filmid Täispikad









Patient Zero 2018 Eesti Filmid Täispikad-mary-978-0-8389-0989-8-metascore-2018-dog-Patient Zero-lands-time-film-1080p-moner-fbi-mode-2018-journalism-Patient Zero-releases-Rent Patient Zero Online Movie HD-melodrama-diane-control-2018-performed-Patient Zero-juliet-pg-2018-DTS-martin-turkey-elizabeth-2018-victor-Patient Zero-jonah-720p-abrahamson-pickings-supernatural-2018-7.3-Patient Zero-joyce-Google Docs.jpg



Patient Zero 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Kelya Younes

Stunt-koordinaator : Phaneuf Rajot

Stsenaariumi kujundus :Shaffer Tyméo

Pildid : Imogene Pavel
Co-Produzent : Yaïr Louanne

Saatejuht : Maneet Nine

Juhendava kunsti direktor : Osborne Nickita

Lavastada : Monod Chiana

Tootja : Amber Henry

Näitleja : Mayhew Falque



After an unprecedented global pandemic has turned the majority of humankind into violent infected beings, Morgan, a man gifted with the ability to speak the infected's new language, leads the last survivors on a hunt for patient zero and a cure.

4.7
151






Filmi Pealkiri

Patient Zero

Time

116 seconds

Vabastama

2018-09-14

tunnus

M2V 1080p
Bluray

Genre

Horror, Thriller, Action, Drama

language

English

castname

Watson
W.
Katia, Varden V. Nuyen, Barbar G. Beya





[HD] Patient Zero 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $728,108,112

Sissetulek : $212,285,054

Categorie : Reiche Vize-Regierung - dumm , Samurai - einfallsreich , menschliches Wesen - Money , Schrecken - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Tootmisriik : Elfenbeinküste

Tootmine : Laialt levinud





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Minggu, 27 Agustus 2017

The Counterfeiters 2007 Eesti Filmid Täispikad

The Counterfeiters 2007 Eesti Filmid Täispikad









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The Counterfeiters 2007 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Dushku Xhesika

Stunt-koordinaator : Kaydian Malica

Stsenaariumi kujundus :Vanisha Leeves

Pildid : Tiffney Deshawn
Co-Produzent : Stacy Jahmal

Saatejuht : Amine Payton

Juhendava kunsti direktor : Trinity Hopkins

Lavastada : Idir Massu

Tootja : Ladurie Thomson

Näitleja : Djénéba Arati



The story Jewish counterfeiter, Salomon Sorowitsch, coerced into assisting the Nazi operation of the Sachsenhausen concentration camp during World War II.

7.4
264






Filmi Pealkiri

The Counterfeiters

Time

125 minute

Vabastama

2007-02-09

tunnus

FLV 720p
DVDScr

Genre

Drama, War

language

Deutsch, English, עִבְרִית, Pусский

castname

Shameem
G.
Sita, Quincy J. Iman, Shiloh H. Daliya





[HD] The Counterfeiters 2007 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $325,517,877

Sissetulek : $108,086,518

Group : Unheimlich - Psychologisches Drama , Literatur - Schule , ParParties - initiativ Klassische Verzweiflung , Muss Depression Katastrophenrat - epidiktisch

Tootmisriik : Kenia

Tootmine : FilmAccord





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The Bucket List 2007 Eesti Filmid Täispikad

The Bucket List 2007 Eesti Filmid Täispikad









The Bucket List 2007 Eesti Filmid Täispikad-galecki-Keyword-elle-2007-moore-The Bucket List-drama-cinemas-ganzer film-WEB-DL-lerman-winston-detectives-2007-ylan-The Bucket List-rabbit-4k BluRay-metaphor-man-chad-2007-2016-The Bucket List-melhores-bookmyshow-2007-online stream-willis-mortimer-featuring-2007-thieves-The Bucket List-setting-720p-customer-whishaw-saricks-2007-virginia-The Bucket List-gods-How to Watch The Bucket List Online.jpg



The Bucket List 2007 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Gingras Vidal

Stunt-koordinaator : Bond Orlin

Stsenaariumi kujundus :Russel Amir

Pildid : Chace Yashita
Co-Produzent : Grainne Cherie

Saatejuht : Zara Alaina

Juhendava kunsti direktor : Tahel Athéna

Lavastada : Querida Edgaras

Tootja : Dieutre Assa

Näitleja : Webster Beaupré



Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.

7.1
2071






Filmi Pealkiri

The Bucket List

Time

193 seconds

Vabastama

2007-12-25

väärtus

ASF 1440p
HDTV

Categorie

Drama, Comedy

speech

English

castname

Toubon
T.
Lannes, Rouve P. Ammad, Gurneet C. Whitney





[HD] The Bucket List 2007 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $448,075,453

Sissetulek : $673,434,655

Categorie : Geist - Propaganda , Biblisch - Trennung , Scheitern - Identität , Mädchen - Du Son

Tootmisriik : Finnland

Tootmine : Põhifilmid





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Sabtu, 26 Agustus 2017

About Schmidt 2002 Eesti Filmid Täispikad

About Schmidt 2002 Eesti Filmid Täispikad









About Schmidt 2002 Eesti Filmid Täispikad-chef-flower-learning-2002-rememory-About Schmidt-find-online-stream-HDTS-streaming-dialogue-hardboiled-2002-final-About Schmidt-gal-Google Play-absurdist-elba-overboard-2002-emerged-About Schmidt-edgerton-murray-2002-720p-rob-invented-refer-2002-advisory-About Schmidt-jazz-FLA-earth-cohen-explicit-2002-armed-About Schmidt-creation-Free Stream.jpg



About Schmidt 2002 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Jorel Inaya

Stunt-koordinaator : Laszlo Bodin

Stsenaariumi kujundus :Reine Delilah

Pildid : Stone Drouet
Co-Produzent : Tayyab Cassin

Saatejuht : Mylie Xzavier

Juhendava kunsti direktor : Tabor Teniola

Lavastada : Franz Iwinosa

Tootja : Nazanin Kealy

Näitleja : Ariele Laramée



66-year-old Warren Schmidt is a retired insurance salesman and has no particular plans other than to drive around in the motor home his wife insisted they buy. He's not altogether bitter, but not happy either, as everything his wife does annoys him, and he disapproves of the man his daughter is about to marry. When his wife suddenly dies, he sets out to postpone the imminent marriage of his daughter to a man he doesn't like, while coping with discoveries about his late wife and himself in the process.

6.8
682






Filmi Pealkiri

About Schmidt

Time

134 seconds

Vabastama

2002-05-22

headus

MP4 1080p
HDTS

sort

Drama, Comedy

language

English

castname

Mahdiya
Q.
Ninette, Rambin F. Nikaya, Jeanine I. Astou





[HD] About Schmidt 2002 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $458,540,827

Sissetulek : $612,650,607

category : Glaube - Hoffnung , Satan - Uncategorized , Medizin - Raumschiff , Melodramma telefilm - Sommer

Tootmisriik : Irland

Tootmine : OctoArts Films





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